Category Archives: Michelin starred

Posts about Michelin starred dining experiences in Tokyo, written by Rebekah Wilson-Lye for Ichi for the Michi.

JSS & Dancyu Magazine “Enjoy Sake from Your 20s” Event | January 11th, 2016

Was honoured to be a part of The Japan Sake & Shochu Makers Association (JSS) & Dancyu Magazine’s “Enjoy Sake from Your 20s” event. It was a great opportunity to spread the joy of sake to a bright, new generation. Let’s kanpai with sake… but not until you’re 20. (^_−)−☆

JSS & Dancyu "Enjoy Sake from your 20s" Event

 

JSS & Dancyu Discussion Panel

JSS & Dancyu Discussion Panel

 

What a treat! Kawate-san brought a touch of Florilege to tonight’s event in the form of two amazing food + sake pairings. Not only is he a phenomenonal chef, he’s an inspiration for a new generation.

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Izakaya Dining Worthy of a Shiny Star: Sakanaya Ajisen 肴や味泉

The spirited sake of summer was followed by a double whammy of autumnal hiyaoroshi and fully matured sake releases – what a heady few months it’s been. All my diligent ‘research’ has come at the expense of creative output, so forgive me while I play catch up with some long overdue posts.

Given my particular fondness for shitamachi neighbourhoods, it’s a wonder I don’t venture out to Tsukishima more often. Having escaped damage in both the Great Kanto Earthquake and blanket bombing of the Great Tokyo Air Raids, the back streets still retain much of their yesteryear charm. These days, what draws people here is the abundance of monjayaki shops which line Nishinaka-dori – it is so popular there is even a Monjayaki Information Centre to help you navigate the 75 specialist restaurants in the area. But there would be none of that sloppy, teppan grilled pancake on the menu tonight. What brought me here was the promise of top-class food and sake at the counter of local institution Ajisen.

Ajisen

By the time we arrived for our 7pm booking the room was already packed with white-shirted salarymen, whose flushed cheeks and akimbo ties suggested their end of the week revelries had already begun in earnest. The aesthetic is quintessential izakaya: cluttered tables and slightly worn furnishings enclosed by walls liberally plastered with calligraphied squares of yellowing parchment promoting the day’s specials; the air hums with animated conversations and the frequent clanking of drinking vessels. But that’s where the similarity to a standard izakaya ends. What keeps the crowds coming is Ajisen’s reputation for excellent food – a rarity for izakayas, where food tends to play a secondary role to the liquid libations. In fact, it’s so renowned for the quality of its fare, that it forced the Michelin inspectors to put down their polished cutlery for an evening and deign the shop with a visit. The result was a bright shiny star – making it one of only three izakaya to be recognised by the red guide.

Ajisen otooshi

Otsukaresama deshita!” Warmly greeted by our hostess, and squashed into our seats at the counter, our night began with the usual suspects: a nama Yebisu beer and otooshi.

From our seats at the counter we could peer into the kitchen where chef and owner Shinichi Araki was busily expediting and preparing the food. As he worked for years in a fish market, and given the shops close proximity to Tsukiji, it’s no surprise that the seafood here is extraordinarily good. On any given day there are around a dozen different fish on offer; each available in a variety of preparations: sashimi, grilled, simmered. A handwritten menu lists their perennial offerings, but you would be best advised to look to the walls for the seasonal specials. In addition to seafood, there are also a variety of proteins and vegetable dishes; all listed with the area they were sourced from.

Ajisen sake

But what my eyes were immediately drawn to was the shelf of sake bottles above the counter, which was a veritable who’s who of well-regarded jizake labels. (They serve shochu too, if that’s what floats your boat.)

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If you see Juyondai on the menu, order it. And if you see it one the menu at Ajisen, order it immediately, as it’s no doubt a hard to find variety and it’s bound to sell out fast. The evening’s offering was the Juyondai “Ginsen” Ginjō Namazume (Banshu Yamada Nishiki 50%), Takagi Shuzō – Yamagata. 十四代 「吟撰」吟醸 生詰* (播州山田錦 50%), 高木酒造 – 山形県. Big, upfront ginka fragrance, complemented by the refined, sweet rice flavour and round texture that is so quintessentially Juyondai. All of the elements harmonised to create a perfectly balanced whole. Hashtag bliss.

*Sake that has been bottled as unpasteurized sake. It is pasteurised once for stability after being bottled. It’s similar to hiyaoroshi sake, which is pasteurised once after brewing, but foregoes a second pasteurisation after being bottled.

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Food takes a while here, so to tide us over we made do with a warm bowl of salty edamame…

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…and longing glances of our neighbour’s enormous iwagaki (wild rock oyster, from Ehime).

Friday night and a full-house, the kitchen was slammed. While Araki-san was battling his way through the fish orders, his assistant was diligently pumping out dishes from the fryer. So in spite of ordering in a logical sequence: sashimi, vegetables, grilled fish and fried food to finish, our meal was served in a slightly hackneyed order – a little frustrating when you’re attempting to order sake to match each course, but understandable given the pressure on the small kitchen.

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A substantially portion of handmade satsuma-age was first to arrive. Made with pounded whiting and studded with vegetables and pinenuts, this tasty fish cake was standard izakaya fare elevated to another level.

The delicate ginjō was a little overwhelmed by the savoury flavour of the satsuma-age, so I hurriedly ordered a tokkuri of Orouku’s Takemichi Junmaiginjō Muroka Nama Genshu (Organic Higashi Izumo-cho grown Yamada-Nishiki 55%), Orouku Shuzō – Shimane. 王禄 丈径 純米吟醸 無濾過生原酒 (東出雲上意東地区産無農薬栽培山田錦 55%), 王祿酒造 – 島根県.

It’s dignified, muscular and tight bodied with an abstruse & complex flavour. Named after its toji, Ishihara Takemichi, this sake exemplifies his uncompromising brewing philosophy: he only brews junmai sake made from chemical free, locally grown rice, bottled from single tanks. None of Orouku’s sake is blended, filtered, diluted or pasteurised. The result is sake with plenty of personality and vivid impact – making it a favourite of the nation’s junmai fanatics.
(I forgot to document our bottle, so here is a shot of the back label I pulled from the net.)

On first sip, my companion bellowed, “Umai!” and went about silently devouring both it and the satsuma-age. Another convert to the joys of this stellar Shimane kura.

Ajisen croquette

Next, crispy golden orbs of potato croquette. Light and fluffy, they were the antithesis of the stodgy stomach liners that one usually encounters at izakaya.

Just as I was about to send out a search party, the sashimi arrived on a wave of apologies. Any grumbles about timing were forgotten as I took in the glorious selection before us. Clockwise from top left: Tairagai (Aichi), hon-maguro chūtoro (Sannicho-oki, Tottori), shime-saba (Tokyo), shimeaji (Tokyo), murasaki uni (Rebu Island, Hokkaido), magogarei, tai (both from Awaji Island, in the Seto Inland Sea), with suzuki (sea bass) front middle, and a pretty pink kinmedai (both from Choshi, Chiba) in the rear. All were of exceptional quality, but the curing of the shime-saba was particularly memorable, and the soft, creamy, richly flavoured murasaki uni was without a doubt the best I’ve had at an izakaya.

I headed south with my next sake: Azumaichi Junmai Ginjō (Yamada Nishiki 49%), Gochōda Shuzō – Saga. 東一 純米吟醸 (山田錦 49%), 五町田酒造 – 佐賀県.

Mild aromatics with a smooth, clean mouthfeel, and the sweet, rich flavour of Yamada Nishiki rice. Its light expression & balanced acidity made it a perfect pairing to the sashimi.

For my companion, I ordered another offering from Orouku: “Kei” Junmai Ginjō Namazume (Higashi-Izumo grown Yamada Nishiki 55%), Orouku Shuzō – Shimane. 渓 純米吟醸 生詰 (東出雲上意東地区産無農薬栽培山田錦 55%), 王祿酒造 – 島根県.

Aptly named “Mountain Stream”, its soft flavour travels across the palate in a fresh, undulating wave. Light and clean with a subtle sweetness and gentle umami notes – it’s an elegant expression of Orouku’s distinctive style.

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An order of anago is de rigeur at Ajisen – it’s what they are most famous for. This nutritious freshwater eel is a summer staple in Japan. When eaten during the hottest days of summer, it’s believed to invigorate ones constitution and stave off natsubate – crippling summer fatigue. We opted for the shioyaki over the richer mushi-anago, to better enjoy the flavour of the wild Matsuyama caught eel that Araki-san uses – “It’s the best you can get”, he says.  Grilled to perfection, the texture of the meat was delicate and buttery. Eel of this quality requires very little embellishment – just a small dab of wasabi to offset its rich fatty flavour. The perfect stamina reviver for a hot Tokyo night.

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By now pressure on the kitchen had eased and I was able to strike up a conversation with the master as he worked away at this station.

Charming and easy to engage, he generously answered our questions about the menu. When he gleaned my interest in sake, his face creased into a warm grin and he disappeared to the “other” sake fridge to retrieve an offering he thought would suit me. And he was spot on:

Amanoto Junmaiginjō Natsuda Fuyuzou Akita Komachi Once Pasteurised (Akita Komachi 40%), Asamai Shuzō – Akita. 天の戸 純米大吟醸 夏田冬蔵 酒こまち 一回火入れ (秋田酒こまち40%), 浅舞酒造 – 秋田県

The softness and grace of this sake was just heavenly – perhaps unsurprising given it’s made by a kura called “Heaven’s Door”. Its refreshing and subtle fruity fragrance was followed through in the delicate sweet flavour. Light and sweet on first approach with a bright acidity and faint bitterness coming later. A sweet rice and umami swells across the palate before ends with a smooth, quiet finish. A most elegant and refined sake.

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While sakana (魚) means fish in Japanese, the “sakana” (肴) in the name actually means appetisers; the kind of flavour packed small plates that drive your thirst on a night out drinking. We went for an izakaya classic: morokyu – miso fermented barley served with chilled, decoratively cut cucumber & eschalot.

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My fondness for tofu misozuke is well documented on this blog. I don’t know what happens during the fermentation process, but the funky, cheese-like result is a beautiful thing. I adore it. Ajisen’s was deliciously creamy and packed with umami flavour.

Had we not been so heat zapped we would have finished with an onigiri, tsukemono and akamiso soup – the later I’ve heard is amazingly good. Oh well, next time.

Our sake glasses emptied, we sat back in the warm afterglow of a great meal. Ajisen’s reputation is well-earned. The quality of the food and sake are exemplary; the atmosphere convivial; and the service is warm & attentive… albeit at times a little slow. As we reluctantly bid our farewells, I found myself wondering for the second time that evening, “Why don’t I come here more often?”

03-3534-8483

Tokyo Sushi: Sushi Kanesaka, Higashi-Ginza – 鮨かねさか, 東銀座

It was their penultimate day in Tokyo, and despite spending five (sleepless) days in constant pursuit of flavours, knowledge and inspiration, the boys from Maaemo still had one regret: not eating any high-end sushi. Being one of the lucky few who were treated to their superlative creations during a two night pop-up event at Fuglen, I knew there was no way the local foodie community could let these wunderkinds leave without enjoying such an experience. However, with less than 12 hours before service started at Tokyo’s starred sushiya, securing a booking was going to be neigh on impossible.

If there was one man who would be sympathetic to my pleas, it was Shinji Kanesaka, the chef of the eponymously named two-starred sushiya; a man highly regarded not only for his exceptional skill, but also for his amiable nature.

The call was placed, negotiations made, and voila! He would open dinner service two hours early for us (and two lucky dinners whose reservation had been languishing on the waiting list). What a gentleman.

At the appointed hour, our motley crew of eight bundled into the tiny 14-seat restaurant, located a stones throw from Tsukiji market, in Higashi-Ginza. Despite its diminutive dimensions, Kanesaka’s atmosphere is open and relaxed, a feeling reinforced by the warm and welcoming staff. Taking our seats in front of Sanpei-san at the gleaming shiroki counter, we were visibly apprehensive, but the chef’s disarming personality quickly put us at ease, allowing us to sit back and savour the experience that was about to play out before us.

Sushi Kanesake only offers their Edomae sushi as omakase, so while there is no menu, you are able to state your dislikes and preferences – in my case, a smaller shari to allow me to eat a full course without discomfort.

At lunch, the omakase prices range from ¥5,000 (sushi only), ¥10,000 to ¥15,000, while at dinner, prices hike up to ¥21,000 and ¥30,000 – the latter offers a couple of extra otsumami (entree) courses and higher grade cuts. Given our time restriction, we were only able to order the ¥21,000 dinner course, which consisted of 6 ostumami dishes and 10 sushi, but due to the early hour and our hungover condition, this proved to be just right.

Sitting in quiet reverence to the man and his craft, we began: perfectly seasoned and subtly sweet shiro-ebi (white shrimp), from Tottori-ken.

Nama-gaki (fresh oyster) from Hokkaido. Lightly seasoned as if it had been washed over by an ocean wave. Milky. Fresh. Divine.

Katsuo (skipjack tuna) is a fish that I usually associated with summer, but Sanpei-san informed me that in autumn, when the fish migrate south from Russia, they have a layer of fat which makes the meat more tender; at which point he pointed out the faint white streak that coloured the edge of the fish. Paired with negi ponzu and grated ginger, it was sensationally soft and delicious.

Charcoal-grilled anago (sea eel) with momoji (grated daikon with seven spice) and ponzu.

From a large ceramic pot, the chef fished out a huge whole awabi (abalone), which had been simmered in its own stock. I think shock and awe must have registered on my face at this point – I haven’t seen a specimen that big since my childhood days in New Zealand, where paua (as it is called there) is something of a national treasure. I adore the distinct succulence and pleasant al dente texture of awabi, but I was even more impressed with the sliver of its own flavoursome liver that it was served with. A highlight for me, but for my companions, this was the least enjoyable texture and flavour of the meal.

Salt grilled tachiuo (scabbard fish) served with a simple garnish of daikon. With fish this good you hardly need any embellishment.

Kanesaka has a small selection of sake from reputable kura. I chose the Kudoki Jozu ‘White’ Bakuren Dry Ginjo (くどき上手 超辛口吟醸 白ばくれん – Yamada Nishiki 55%), a light tasting, clean sake with a sake value meter of +20 – this is about as dry as it gets. A perfect foil to the unctuousness of the maguro that was to follow.

The rice was called for, and the sushi course commenced with a balletic display of knife skills and graceful hand-eye coordination. First, shima aji (striped jack – a close relation of aji and hamachi).

A note about the rice, Kanesake uses only akazu (red vinegar) and salt to season his rice. No sugar is used in the process, which results in a more savoury, slightly firmer texture. This is a point that has some reviewers divided, but as I have a predilection for salty flavours, I thought it was spot on.

It is also worth mentioning that Sushi Kanesaka use the same fish as three-starred, and the current #1 sushiya on tabelog, Sushi Saito. The reason: Shinji Kanesaka is a part-owner of his former apprentice’s restaurant. Every morning, all the fish orders arrive at Kanesaka, where they are broken down and portioned, before being sent on to Saito for the day’s service.

Akami

Chu-toro

O-toro

The anticipation was palpable when the chef pulled out a tray of glistening maguro cuts. Here come the big boys!

Akami

I regret that I had quickly dispensed with my cumbersome camera and only used my iPhone to document the sushi course, as I was not able to adequately capture the rich, jewel-like colours of the tuna.

Chu-toro

O-toro

One of the more keen-witted amongst us noticed that the rice used for the o-toro was slightly warmer than for the previous pieces. The reason, I was told, was because the warm rice helps to melt the fat and release more flavour. And what a flavour: the rich marbled flesh completely dissolved in my mouth and left a wonderfully lingering after taste. I discovered in post-meal enquiries that the Holy Trinity of tuna was not part of the ¥21,000 course, it was Sanpei-san’s expression of respect to the Maaemo chefs.

Ika (squid) seasoned with sadachi lime.

Kohada (herring). Lightly cured in salt and mirin, this was the star of the night.

Karuma-ebi (imperial prawn) stuffed with ebi-miso (its own entrails). The men in our group were served theirs whole, but Kanesaka-san thoughtfully cut each piece in half for the women, so that we could, errr… keep it classy. I found the ebi slightly overcooked, which seems to be something of a common occurence in Japan.

Another standout of the evening: Aji (jack fish) with negi (leek). By now, the chef noted the Norwegian’s affinity for aozakana (silver fish), and was interested to discover that both cultures used similar preparations for curing it.

 

Deconstructed sushi. Glistening corals of Hokkaido uni, with a side of ikura (salmon roe). Sublime. From here the conversation took on comic proportions as I was given the unenviable task of translating the Norwegian name for uni, kråkebolle, into Japanese. Sanpei-san quickly got the joke and diffused my awkwardness by declaring, in English, that these were indeed very “tasty balls”.

A semi-sweet treat to end on: again, we were served grilled anago, but this time with a sweet tare sauce and sancho pepper seasoning. It was followed by a thick slice of the most perfectly formed tamago-yaki. Sweet, spongy and custard-like, this was an inspired finale.

Fabulous food and an equally fabulous dining experience. Sanpei-san executed a meal that was not only technically impressive, but also wonderfully composed. Throughout the course of the meal he took time to give detailed explanations of the fish, as well as graciously answer our questions of how each was prepared. His ability to seamlessly transition from quiet, masterful chef to jovial host – cracking a few jokes in his limited English – made the evening infinitely enjoyable.

But above all, that Kanesaka was able to turn ‘Maaemo Dreams of Sushi’ into a reality, is something for which I will always be indebted.

Sushi Kanesaka

03-5568-4411